The
procession at Wilsden Gala 1971 only attracted two decorated floats on
lorries, although there were other vehicles and some walking tableaux.
It occurred to some members that it might encourage others to join in
next year and also generate publicity for the society if WVS entered its
own float in next year’s Harden Gala.
1972
was the year of the great Tutankhamen exhibition at the British Museum
and this was the inspiration for the most incredibly ambitious project. A
long flatbed lorry was given sand and sea coloured sides, with Wilsden
Village Society written in mock hieroglyphics. A pavilion and throne
were built at the cab end to house Trevor Maltas as the young Pharoah. A
mast and furled sail and a long rudder transformed the whole into a
royal barge. A bevy of handmaidens, impressive semi-clad guards and even
the jackal-headed god Anubis completed his crew. The costumes were
magnificent, flowing white robes for the girls, much scantier coverings
for the men, gold helmets, elaborate headdresses, great blue and gold
jewelled collars and sashes, papyrus fans, all home made under the
direction of Anne Lloyd from nothing more exotic than cardboard, paint,
paperclips, glue and midget gem sweets. The handmaids were Counc. Emily
Hall, Anne Lloyd, Sylvia Partridge, Lilian Howarth, Susan Pitchers and
Kate Drake, the men Michael Lloyd, Gordon Bastow, Peter Booth and Marcus
Catling, the god Tony Partridge. The float won a well deserved first
prize at Harden Gala. The team decided all that work merited another
outing and took it to Eldwick Gala the following month. Here they came
second to Bingley Round Table’s Moon Buggy. This would have been a
perfectly acceptable result had not one of the judges told them they
could not have first prize because they had so obviously hired their
costumes, an injustice that caused some indignation among the painters
and gluers.